Though there are plenty of new “keroncong” compositions, but the new “keroncong” songs are hardly ever revealed in media.

tunes, as a treasure of Indonesian nationwide tunes, has become dealing with a protracted period since the arrival on the Moorish as Portuguese slaves to Indonesia inside the sixteenth century. In the extensive period of time, the “keroncong” new music then, as other kinds of common audio, has got to face business tunes, Specifically Western tunes.

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the facility of economic money, the superiority of engineering, as well as sophistication of marketing floor down classic audio. This paper attempts to investigate the “keroncong” new music in Indonesia that may even now be taken care of or popularized by many techniques and by generating a correct media of promotion which include by means of television and radio to ensure Modern society are familiar to “keroncong” songs.

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The emergence of “campursari” from the 1990s, pioneered by Manthous, brought a power of desire and have become a magnet for followers and activists of “keroncong” and common songs so that they appreciate the music and lots of groups of “campursari” tunes that is rooted from “keroncong” grew.

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exactly the same effort was completed by Didi Kempot and Koko Thole who's got supplied new colour to “keroncong” songs. They created initiatives to spread “keroncong” songs to a variety of Modern society and also produce the tunes alone.

hence, “keroncong” artists need to make innovations or changes that will attract people’s fascination to “keroncong” music. they need to develop track lyrics that reflec the lifetime of society or take themes that is definitely in accordance to their time period.